How Brands Buy Creator Media | Dan Granger, Oxford Road #677

July 26, 2026July 12, 2026 ~ Rob Greenlee ~ Leave a comment

In Episode 677 of the New Media Show, host Rob Greenlee welcomes Dan Granger, founder and CEO of Oxford Road, for a detailed conversation about how personality-led media is changing what brands buy, how audiences are measured, and what the podcast industry must do to support its next stage of growth.

Audiences increasingly follow people rather than traditional media channels.

A trusted personality can carry an audience across podcasts, YouTube, livestreams, newsletters, social platforms, communities, events, and direct business relationships.

Advertisers, however, still tend to purchase and measure those formats as separate media channels.

That disconnect is becoming one of the largest challenges facing creator media. A creator may record a single conversation and distribute it across multiple platforms, yet each platform reports exposure differently. Advertisers are then left trying to compare downloads, streams, video views, watch time, impressions, attribution data, and host-read performance without a consistent standard.

Dan has spent his career connecting advertisers with personality-driven media. Oxford Road now describes its work as building performance systems across audio, video, creator, and programmatic media, with Dan serving as the company’s CEO.

The conversation begins with Oxford Road’s growing investment in bringing brands, creators, platforms, and media leaders together in person.

Dan explains how the company’s CAO Summit developed from the idea of a “Chief Audio Officer,” the person inside a brand responsible for making audio advertising work. That responsibility may belong to a founder, marketing leader, media buyer, or growth executive rather than someone with a formal audio title.

The CAO Summit was designed as a peer-learning environment where advertisers could speak openly with other advertisers about measurement, attribution, creative performance, and the practical problems preventing brands from spending more in podcasts and creator media. Oxford Road continues to position the CAO Summit as a meeting point for the marketers, platforms, and creators shaping what it calls “Podcast+” media.

They also discuss the Independent Podcast and Creator Awards, also known as the Indie PaC Awards. The program was created to recognize independently owned creators and shows at a time when consolidation continues across podcasting and digital media.

Dan argues that independent creators remain central to the value of podcasting.

Creators who maintain closer relationships with their audiences, retain more editorial control, and deliver strong results for advertisers. Oxford Road’s own published ORBIT rankings show that independent shows account for a large share of its strongest-performing podcast inventory.

Defining an independent creator is difficult, though.

A creator may own the intellectual property while accepting a minimum guarantee from a platform. A show may be represented by a large network without being owned by that company. A successful personality may have substantial corporate support while retaining full editorial control.

The Indie PaC criteria attempt to consider who owns the content, whether the show publishes consistently, and whether the podcast or creator channel is a central part of the person’s business rather than a side project created primarily to support an existing celebrity career. The inaugural awards were announced as an event focused on creator ownership and independently produced media.

That discussion leads into the episode’s central theme: personalities are becoming media businesses.

Creators once waited for a network, publisher, studio, or broadcaster to select them.

Today, personalities can build audiences directly and expand across formats without waiting for a traditional gatekeeper. Their name, voice, perspective, and relationship with the audience can become the media’s primary brand.

Dan believes advertising dollars will continue moving toward these creator-led environments. A brand may no longer purchase only a podcast placement or a YouTube integration. It may sponsor the creator across several surfaces and negotiate rights to reuse the resulting content in paid campaigns. That changes the asset being purchased.

The value can include the creator’s audience relationship, intellectual property, content, distribution reach, endorsement, likeness, and permission to repurpose the campaign. Dan sees trust as the element that connects those assets.

Host-read advertising remains especially important because the recommendation comes through a person the audience already knows.

The strongest integrations allow the creator to speak naturally, test the product, acknowledge limitations, and explain why it may be useful.

Rob and Dan share early examples from the podcasting market in which creators criticize parts of a sponsor’s offering during paid integrations. That apparent risk can make the rest of the endorsement more believable because the audience hears an honest response rather than polished marketing language.

The discussion also examines where an advertisement appears inside an episode.

Dan is sharply critical of post-roll advertising because much of the audience has already left by the time the ad plays. Rob and Dan also discuss pre-rolls, mid-rolls, dynamic insertion, programmatic advertising, and the effects of placing too many ads in a single episode.

Oxford Road has published PodLoad research comparing the number of advertising units placed within shows.

Dan argues that an impression in a program carrying 6 minutes of advertising per hour should not automatically be valued the same as one in a show carrying 20 minutes of advertising. Excessive ad load can weaken attention and reduce campaign performance.

Brand values and suitability add another layer.

Dan believes advertisers should understand the values they claim to support and make intentional decisions about the creators and environments they fund.

Dan also believes brands became overly reactive during the height of the brand-safety debate and then moved too far in the opposite direction.

The goal should be a durable position that considers business outcomes alongside genuine organizational values. Audience demographics matter, but the creator’s tone, worldview, conduct, and credibility can also affect whether the partnership makes sense.

The second half of the episode turns to the Alliance for Measurement in Podcasting, known as AMP.

Dan convened AMP as a one-year industry task force focused on three core questions:

– What qualifies as a podcast?
– How should exposure be counted across audio and video?
– How should advertising results be attributed?

AMP includes representatives from platforms, advertisers, publishers, creators, agencies, and measurement companies. Its stated purpose is to develop voluntary cross-platform standards that make podcast inventory easier to compare, buy, sell, and measure.

One of the group’s most discussed recommendations is moving toward a 30-second play threshold.

Dan explains that he is less concerned with whether the correct threshold is exactly 30 seconds or 60 seconds. The larger problem is that different platforms use different definitions. That inconsistency prevents advertisers from confidently comparing performance across audio and video.

The 30-second recommendation reflects what AMP members believed had the greatest chance of broad adoption. A workable shared standard can move the market forward even when it does not represent every participant’s preferred method.

Dan compares the current landscape to islands that speak different languages. Each platform may have useful data, but the absence of a common language makes commerce harder. AMP is trying to provide a shared framework without requiring every platform to abandon its existing internal analytics.

The group is preparing the AMP Accords as a framework covering podcast classification, exposure, and advertising effectiveness. The official AMP site identifies Oxford Road as the organization that convened the process.

Rob and Dan then take on the most persistent question in podcasting: What is a podcast?

Two areas continue to create friction.

One is whether a podcast must be distributed through RSS.
The other is whether the medium must be primarily audio.

Dan believes RSS represents important principles, including open access and flexible distribution.

Dan does not believe RSS should be the only requirement determining whether a show qualifies as a podcast.

His practical test is whether the experience still works when the audience closes its eyes.

Video can enhance a podcast without disqualifying it. A program that requires constant visual attention will remain open to debate, but he argues that advertisers need enough consistency to conduct business.

Rob explains that RSS has increasingly become an industry-level, server-to-server distribution system. Many newer creators do not know where to find their RSS feed because hosting platforms now handle most submission and syndication work through dashboards and direct platform connections.

Audiences care even less about the technical delivery method. They call content a podcast based on how the experience looks and feels.

The conversation also covers Apple’s HLS video implementation. Rob supports the opportunity for high-quality streaming video but questions Apple’s use of a direct submission process rather than placing the HLS stream inside the open RSS feed. He believes alternative enclosures could enable the same video stream to reach more podcast apps without limiting it to a single platform.

Dan views HLS as broadly compatible with AMP’s goal of measuring real consumption across audio and video. He also recognizes that open distribution, platform control, creator ownership, and practical commercial adoption will continue pulling the market in different directions.

The episode closes with a look at what may happen to legacy media.

Dan does not expect established media companies to disappear quietly. Many still have capital, infrastructure, distribution, and the ability to acquire or support major personalities.

Dan expects some traditional media companies to adapt by functioning more like houses that provide resources to talent while allowing the personality to remain the visible brand.

Dan also expects renewed opportunity in local media, which could return through creator-led, community-focused models rather than traditional newspapers or broadcast stations.

Artificial intelligence will also become part of this future.

Dan sees value in personalized and AI-supported content, provided audiences can clearly understand when material is authentic, synthetic, or manipulated.

Rob argues that transparent labeling, human accountability, and audience awareness will become increasingly important as AI personalities and automated media gain adoption.

Episode 677 captures a media market in the middle of a structural change. Personalities are carrying audiences across platforms. Advertisers want creator trust while also demanding dependable measurement. Platforms want control over distribution, while creators want ownership and flexibility.

The companies that bring those interests together will help determine how creator media is bought, measured, and scaled.

Topics Covered in This Episode

– Why personalities are becoming media companies
– The CAO Summit and brand-to-brand learning
– Connecting advertisers directly with creators
– The purpose of the Indie PaC Awards
– How to define an independent creator
– Why independent shows can outperform larger networks
– Creator ownership and editorial control
– Brands shifting budget toward creator media
– Host-read advertising and audience trust
– Why honest creator criticism can improve an endorsement
– Pre-roll, mid-roll, and post-roll advertising
– Podcast ad load and campaign performance
– Brand safety, suitability, and values alignment
– Buying creators across several media platforms
– Licensing creator advertising content
– The Alliance for Measurement in Podcasting
– The proposed 30-second podcast-play standard
– Measuring audio and video through a common framework
– Defining a podcast beyond RSS
– Why video does not automatically change the medium
– Apple HLS video and alternative RSS enclosures
– The IAB’s possible role in industry adoption
– Legacy media adaptation
– The future of local creator media
– AI content, personalization, and disclosure

Chapter Time Stamp Markers:

00:00 Welcome to The New Media Show Episode 677
00:19 How personality-led media is changing the market
03:10 Introducing Dan Granger of Oxford Road
04:00 Why in-person media gatherings matter again
06:14 How the CAO Summit began
07:31 Defining the Chief Audio Officer
09:19 Bringing advertisers and creators together
11:34 The Independent Podcast and Creator Awards
13:38 Deal Room and a new approach to podcast upfronts
14:21 What makes a creator truly independent?
16:06 Joe Rogan, ownership, and platform influence
17:42 Publishing activity and independent-creator criteria
18:20 Creators are taking control of the media world
20:26 Personality-driven media reaches every institution
22:12 Brands move more budget toward creator content
25:16 Trust as the core creator-media asset
27:00 Why host-read advertising still works
28:22 Product testing and honest creator endorsements
30:00 Ad placement, post-rolls, and wasted impressions
31:18 How excessive ad load damages performance
33:00 Rob’s early radio and podcast advertising experience
35:46 Remembering Todd Cochrane
36:46 What advertisers now value in creators
37:00 Buying a personality across multiple platforms
38:17 Licensing creator content for paid campaigns
39:18 Brand safety, values, and commercial outcomes
45:54 Introducing the AMP measurement project
47:37 The 30-second versus 60-second play debate
48:00 Why a shared measurement language matters
51:38 AMP’s one-year mission and planned conclusion
52:25 Why the industry still needs to define a podcast
54:26 RSS, audio, video, and open distribution
56:00 HLS video and cross-platform attribution
57:12 Apple APIs compared with RSS alternative enclosures
59:08 Is RSS still essential to podcasting?
1:00:00 Why consumers no longer think about RSS
1:01:30 Dan’s “works with your eyes closed” podcast test
1:03:37 Why advertisers need a practical definition
1:04:35 AMP’s position on podcasts without RSS
1:05:49 The RSS education gap among newer creators
1:07:43 Building standards that grow the entire market
1:09:22 The IAB’s role in measurement adoption
1:11:18 Will personalities replace legacy media brands?
1:12:27 The possible rebirth of local media
1:13:42 AI content, personalization, and labeling
1:16:00 AMP’s contribution to a more scalable market
1:17:35 Closing remarks

Guest Links: Dan Granger, Founder and CEO, Oxford Road

Oxford Road: https://oxfordroad.com
Dan Granger on LinkedIn: https://www.linkedin.com/in/dangranger
Alliance for Measurement in Podcasting: https://www.ampaccords.com
Oxford Road Thought Leadership: https://oxfordroad.com/thought-leadership
Oxford Road ORBIT: https://oxfordroad.com/thought-leadership/orbit
Indie PaC Awards Announcement: https://oxfordroad.com/thought-leadership/this-weeks-influencer-introducing-the-inaugural-indie-pac-awards-tiktok-resumes-its-long-form-push-orbit-deems-niche-sports-vips-and-more

Rob Greenlee and New Media Show Links

New Media Show: https://newmediashow.com
New Media Show on YouTube: https://youtube.com/@TheNewMediaShow
New Media Show Audio on Apple Podcasts: https://podcasts.apple.com/us/podcast/new-media-show-audio/id392545649
Rob Greenlee Website: https://robgreenlee.com
Rob Greenlee on LinkedIn: https://www.linkedin.com/in/robgreenlee
Rob Greenlee on YouTube: https://youtube.com/@RobGreenlee
Podcast Hall of Fame: https://podcasthall.com

AI Disclosure Note

I used AI tools to help organize and edit this episode description and create chapter markers from the episode transcript. The editorial direction, final review, industry perspective, and responsibility for the published content remain mine. The discussion reflects the views expressed by my guest and me during the recorded conversation.

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Creators Become Media | Steve Wilson, Daylight Media and QCODE #676

July 23, 2026July 11, 2026 ~ Rob Greenlee ~ Leave a comment

In Episode #676 of the New Media Show, host and Podcast Hall of Famer Rob Greenlee welcomes Steve Wilson, Chief Strategy Officer at Daylight Media and QCODE, for a wide-ranging conversation about the shift from producing a successful podcast to building a sustainable creator-led media company.

Creators no longer operate in a simple world of publishing one show to ONE place and relying mainly on advertising.

The strongest creators are building direct relationships with audiences across podcasts, video, short-form clips, newsletters, communities, subscriptions, live events, products, and services.

Podcasting remains one of the most effective long-form formats for building trust and repeated audience connection.

It is now one part of a larger media strategy shaped by video distribution, platform algorithms, artificial intelligence, audience ownership, and the growing power of individual personalities.

Steve brings a valuable perspective to this discussion. Before joining QCODE, he spent years working with Apple Podcasts and iTunes. At QCODE, he helped develop and distribute premium scripted audio series featuring talent including Matthew McConaughey, Demi Moore, and Rami Malek. QCODE has since expanded through Daylight Media, which provides distribution, monetization, technology, marketing, and business support for a broader network of creators.

Daylight currently works with roughly 70 creators and shows representing approximately 300 million monthly audio downloads and video views.

Across that network, video now accounts for a significant share of consumption, although the balance between audio and video differs considerably from show to show.

That difference is important.

Some creators have audiences that strongly favor YouTube and Spotify video. Other shows continue to perform primarily through audio.

For some programs, video may be valuable mainly as a discovery and social marketing layer rather than as the central product. Steve argues that creators should evaluate their format, audience, resources, and business goals before committing to a major video expansion.

Rob and Steve discuss Apple’s HLS video support and why it may become an important addition to the podcast distribution ecosystem. HLS can give creators greater flexibility in delivering video while maintaining many of the ownership and control principles associated with RSS.

The larger issue is whether creators retain access to their audience data, revenue information, advertising options, and the ability to move their shows between services.

The conversation also examines what makes a show work in both audio and video.

A strong video presentation may include thoughtful set design, lighting, visual storytelling, archival material, graphics, and physical objects that add context. The underlying audio still needs to stand on its own.

Listeners should not feel as though they are receiving an incomplete version of a show because they cannot see what is happening on screen.

Steve points to television, documentary production, and the work of filmmakers such as Ken Burns as useful references.

A show can begin with excellent audio storytelling and add visuals that deepen the experience without making the audio audience feel secondary.

There are also cases where the audio and video products should remain different. Scripted fiction uses sound to create a theater of the mind, allowing listeners to imagine the world and its characters. Turning that same property into a visual production may require a separate creative and business decision rather than a simple video version of the podcast.

We also explore the potential for long-form content on Instagram, the renewed interest in vertical video, and the growing market for microdramas. They also revisit Quibi and consider whether some earlier media ideas failed because the technology, audience behavior, or distribution environment was not yet ready for them.

The discussion then turns to one of the most important distinctions between podcasting and YouTube.

YouTube can generate large spikes around individual videos, but performance may vary widely from episode to episode.

Traditional RSS-based podcast audiences are often more consistent. That stability can make an audio podcast especially valuable to advertisers because future episode delivery and revenue are easier to forecast.

YouTube is highly effective for discovery. Podcast feeds are often stronger at developing recurring habits around a series. Successful media companies will increasingly need to understand the value of both.

Catalog discovery is another major opportunity. Podcasts and long-form videos can remain useful for years, but most platforms continue to prioritize newly released material. Steve argues that the industry needs better ways to help audiences find relevant episodes from existing catalogs based on subject, location, interest, and current context.

Daylight recently acquired Podcast Review, a long-running editorial publication focused on podcast reviews, interviews, recommendations, and lists. Steve sees independent editorial guidance as an important part of helping audiences find strong shows beyond what algorithms automatically recommend. Podcast Review continues to publish consumer-focused coverage while operating as a Daylight Media property with stated editorial standards and disclosures.

Rob and Steve discuss whether the audience now has more influence over what qualifies as a podcast. Listeners and viewers increasingly use the word to describe a style of recurring, personality-led media rather than a specific technical delivery method.

Steve is less concerned with rigid format definitions. He compares the current debate to earlier questions about whether a streaming series released all at once should still be called television. Distribution formats change. Audience behavior changes. The most useful question is whether the content delivers the experience people expect from the show.

The second half of the episode focuses on creators becoming media companies.

Daylight works with creators at different stages, from established personalities such as Jon Stewart to growing shows entering advertising for the first time. Some partners need only ad sales support. Others are developing subscriptions, merchandise, tours, live events, networks, and additional shows.

Steve describes Daylight as an infrastructure layer that often works behind the scenes. The goal is to help the creator’s brand remain visible while providing the operational systems needed to grow. Daylight was launched as an expansion of QCODE’s creator-support work, with services covering distribution, audience development, marketing, technology, products, and monetization.

Creator-first structure differs from an older media model in which the studio or network brand often controlled the relationship between talent and audience. Steve believes the next era will give creators more leverage, flexibility, and ownership. The companies that support them will need to prove their value without taking over the show’s identity.

Artificial intelligence is already affecting that work, although adoption varies widely. Some creators are using AI for research, transcription, artwork, editing, and production support. Others remain strongly opposed to it.

Steve does not see the choice as a complete acceptance or rejection of AI.

Each use case needs to be evaluated separately. Voice dubbing may help a creator correct a short line without having to re-record an entire session. Transcription can reduce production time. Synthetic performances or undisclosed manipulation may violate the audience’s expectations and trust.

Both agree that growing volumes of synthetic content may also increase the value of live, in-person, and clearly human experiences.

Podcast tours, creator conferences, community gatherings, retreats, and interactive events allow audiences to participate in ways that digital platforms cannot fully reproduce. The opportunity may extend beyond recording a regular episode on stage.

Future creator events could include audience conversations, workshops, performances, shared activities, and experiences built around a particular community or interest.

This episode offers a clear view of where creator media is heading. A show can remain the center of the relationship, but the greater opportunity lies in building a flexible media business around the audience, protecting creator ownership, and selecting formats that serve the content rather than following every platform trend.

Topics Covered in This Episode

– Why successful creators are becoming media companies
– QCODE’s expansion into Daylight Media
– Audio and video consumption across the Daylight network
– Apple HLS video and creator-controlled distribution
– Why every show needs a different audio and video strategy
– Set design and visual storytelling for video shows
– Preserving a complete experience for audio listeners
– Scripted fiction, video adaptations, and intellectual property
– Instagram, vertical video, and microdramas
– YouTube discovery compared with RSS audience stability
– Evergreen content and podcast-catalog discovery
– Apple Podcasts editorial discovery
– Daylight Media’s acquisition of Podcast Review
– Whether audiences now define what a podcast is
– Revenue beyond advertising
– Subscriptions, merchandise, networks, touring, and events
– Daylight as a behind-the-scenes creator infrastructure company
– RSS, APIs, alternate enclosures, and platform control
– Creator access to audience and revenue data
– AI production tools and audience trust
– The growing value of live and human experiences

Chapter Time Stamp Markers:

00:00 Welcome to The New Media Show Episode 676
00:36 Creators are building full media businesses
02:24 Introducing Steve Wilson of Daylight Media and QCODE
03:05 How QCODE expanded into Daylight Media
04:23 From premium audio fiction to a creator network
05:16 Video now drives much of the network’s consumption
05:59 Apple HLS video and creator flexibility
08:27 Why there is no single audio-video strategy
09:03 What makes a show work in video?
10:44 Keeping audio listeners at the center
12:09 Higher production values and video set design
14:34 Theater of the mind and the value of audio
15:37 Short-form video and social-first podcasts
16:00 Could Instagram become a long-form video platform?
17:33 Microdramas, vertical storytelling, and the Quibi lesson
18:27 Audio-first creators and video anxiety
19:24 YouTube volatility compared with RSS stability
21:01 Tentpole episodes, long-form content, and audience habits
22:10 Evergreen catalog discovery
23:26 Apple Podcasts editorial discovery
25:00 Daylight Media acquires Podcast Review
25:46 Is the audience taking control of media definitions?
27:52 Does the technical definition of a podcast still matter?
31:03 Moving from a show to a media company
32:14 Daylight’s creator network and growth spectrum
32:54 Subscriptions, merchandise, tours, and new revenue
33:35 Daylight as a creator infrastructure layer
34:07 Why Daylight works behind the scenes
36:12 The future of video distribution and RSS
37:17 Alternate enclosures and location-based discovery
38:24 Creator ownership beyond RSS purity
39:59 Audio ads, video ads, platforms, and advertiser results
41:07 Independent creators gain more media power
42:07 How creators are using AI
43:02 Where AI can damage audience trust
45:05 AI voice dubbing and practical production uses
45:34 The return of live and human experiences
47:18 Podcast tours, conferences, and creator communities
49:18 Building more interactive creator events
50:51 Final thoughts on Daylight Media and QCODE
51:31 Where to find Daylight and QCODE shows
52:44 End of episode

Guest Links: Steve Wilson, Chief Strategy Officer, Daylight Media and QCODE

Daylight Media: https://daylightmedia.com
QCODE Media: https://qcodemedia.com
Podcast Review: https://podcastreview.org
Steve Wilson on LinkedIn: https://www.linkedin.com/in/stephenwilson7
Steve Wilson on Instagram: https://www.instagram.com/wilsonomics

Steve Wilson is currently Chief Strategy Officer at Daylight Media, with his work continuing across the QCODE and Daylight organizations.

Host, Rob Greenlee and New Media Show Links

About Trust Factor Lab

Trust Factor Lab helps creators, media leaders, executives, and brands build stronger audience trust across AI, video, podcasts, and creator-led media. Founded by Rob Greenlee, it focuses on content strategy, authority development, media positioning, AI transparency, audience growth, and business outcomes built through credibility.

AI Disclosure Note:

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Why Podcast and Creator Awards Matter | Cameron Stack, Recognized.fm #675

July 19, 2026July 11, 2026 ~ Rob Greenlee ~ Leave a comment

In Episode 675 of the New Media Show, host Rob Greenlee welcomes Cameron Stack, founder and curator of Recognized.fm, for a conversation about podcast awards, creator credibility, industry recognition, and the growing business behind awards, nominations, platform distinctions, editorial selections, and career honors.

Podcast awards can be easy to dismiss as another trophy or promotional exercise. Credible recognition can have a much larger impact on a creator, a show, a network, or a media company.

An award nomination or win can strengthen a media kit, support sponsor conversations, attract better guests, generate press coverage, and give prospective listeners another reason to take a show seriously.

The difficult part is deciding which awards deserve the investment.

Podcasting now has a wide recognition ecosystem that includes juried competitions, audience-voted awards, editorial selections, regional programs, platform honors, niche-category awards, professional distinctions, and lifetime-achievement recognition such as the Podcast Hall of Fame.

Cameron created Recognized.fm to organize this expanding market and help creators understand their options. Recognized currently tracks more than 100 audio and podcast awards, with information that can be filtered by factors such as geographic scope, entry fees, voting format, and prestige.

They discuss why creators should begin with a clear objective before paying to submit. A widely known international award may bring general visibility, while a smaller award focused on a creator’s profession, region, language, or subject category may carry more influence with the people they most want to reach.

Example 1: A medical podcast may receive greater credibility in healthcare than from a broad entertainment competition.

Example 2: A true-crime show may benefit more from an award respected by that community than from competing across every podcast genre.

Submission fees also need to be considered. Independent creators may only have the budget to enter one or two competitions, while networks and larger publishers can treat award submissions as part of a broader marketing strategy.

Cameron explains why creators should compare costs against potential returns in visibility, authority, business development, audience growth, and professional validation.

The judging process matters just as much as the entry fee. Creators should understand who operates the award, how judges are selected, what criteria are used, whether the process is transparent, and how much weight the recognition will carry with the intended audience.

Every award has its own purpose and incentives. Some are selected by industry juries. Others rely on fan voting, editorial judgment, platform data, or a combination of methods. Recognized.fm is building a clearer taxonomy so creators can understand those differences before committing their time and money.

Awards also function as social proof. Audiences already use ratings, reviews, trailers, artwork, recommendations, and visible audience activity to decide whether a show deserves attention. A respected award or nomination adds another outside signal that the work has been evaluated and recognized.

The recognition can strengthen sponsor decks, improve outreach to potential guests, support speaking opportunities, and help creators position themselves as credible voices within a category.

The impact can continue long after the ceremony, as recognition becomes part of the creator’s biography, website, introductions, and business materials.

We also explore the larger “recognition economy”. Awards are one part of an industry that includes trophy manufacturers, submission platforms, consultants, event producers, sponsors, judging systems, media organizations, and the businesses that support professional recognition.

As creator-led media grows, new awards will continue to emerge around podcasts, YouTube shows, livestreaming, newsletters, social video, and other online formats. Established awards will also need to adapt as audiences and media habits change.

Artificial intelligence will bring another layer of change.

Cameron expects AI-related categories and dedicated AI awards to emerge as organizations seek ways to recognize new forms of production and technological achievement.

Rob raises the trust questions that will accompany that shift, especially when established human-centered awards begin considering synthetic or substantially AI-generated work.

The episode closes with a look at the physical trophies themselves. Cameron shares examples from the Webbys, Signal Awards, iHeartPodcast Awards, international design competitions, and other recognition programs. A memorable trophy can become a visible symbol of the award and extend its value through videos, studio sets, social posts, and public appearances.

For creators, producers, networks, and media companies, Episode 675 provides a practical framework for deciding when awards are worth pursuing, how to evaluate them, and how credible recognition can support broader media and business strategies.

Topics Covered in This Episode

* Why credible podcast recognition matters
* Cameron Stack’s background in podcast production
* The development of Recognized.fm
* Juried, fan-voted, editorial, regional, and platform awards
* How creators should decide which awards to enter
* Submission fees and potential return on investment
* Broad awards compared with niche recognition
* Awards as social proof for listeners and sponsors
* Strengthening media kits and guest outreach
* Podcast Hall of Fame and career recognition
* Judging standards, transparency, and organizational bias
* The larger recognition economy
* AI-generated content and future award categories
* Creator-native awards and legacy media ceremonies
* Why memorable trophy design matters

Chapter Time Stamp Markers:

00:00 Why podcast awards and recognition matter
02:05 Cameron Stack and the origin of Recognized.fm
04:08 Recognition expands beyond traditional podcast awards
05:47 Building a comprehensive guide to audio awards
07:34 Should every creator submit to awards?
10:23 The full podcast recognition ecosystem
11:56 What creators gain from recognition
13:33 Broad awards compared with niche awards
15:00 Editorial selections and platform recognition
17:16 Awards as credibility and social proof
19:03 Measuring the return from an award
21:39 Mapping the taxonomy of podcast awards
24:52 Inside the Recognized.fm platform
26:03 Events, jobs, and recognition-industry resources
28:09 Future award discovery and submission tools
29:54 Niche communities and the demand for recognition
31:52 Judging standards, transparency, and trust
34:15 Submission fees, bias, and due diligence
38:23 How AI may reshape awards
40:59 AI categories, positioning, and possible backlash
43:22 The growing recognition economy
46:01 Creator-native awards and legacy ceremonies
48:06 Why the physical trophy matters
52:27 The Webbys, Lovie Awards, and digital recognition
53:31 iHeartPodcast Awards and major-industry trophies
54:53 Signal Awards, the Ambies, and podcast trophy design
56:00 Recognized.fm and closing thoughts
58:49 End of episode

Guest Links: Cameron Stack, Founder and Curator, Recognized.fm

Recognized.fm: https://recognized.fm
Podcast Awards Taxonomy: https://recognized.fm/podcast-awards
About Recognized: https://recognized.fm/about-recognized
Recognized Newsletter: https://recognized.substack.com
Cameron Stack on LinkedIn: https://www.linkedin.com/in/cameron-stack

Recognized.fm, curated by Cameron Stack, focuses on making the awards and recognition industry easier to understand and navigate.

Rob Greenlee and New Media Show Links

Rob Greenlee Website: https://robgreenlee.com
New Media Show: https://newmediashow.com
New Media Show Audio on Apple Podcasts: https://podcasts.apple.com/us/podcast/new-media-show-audio/id392545649
New Media Show on YouTube: https://youtube.com/@TheNewMediaShow
Rob Greenlee on YouTube: https://youtube.com/@RobGreenlee
Podcast Hall of Fame: https://podcasthall.com

About Trust Factor Lab

Trust Factor Lab helps creators, media leaders, executives, and brands build stronger audience trust across AI, video, podcasts, and creator-led media. Founded by Rob Greenlee, it focuses on media positioning, content strategy, authority development, AI transparency, audience growth, and trust-centered business outcomes.

AI Disclosure Note:

I used AI tools to help organize and edit this episode and its description, then create chapter markers from the episode transcript. The editorial direction, final review, industry perspective, and responsibility for the published content remain mine. The discussion reflects the views expressed by my guest and me during the recorded conversation.

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Video-First Podcasting Has Arrived | Rox Codes, Flightcast #674

July 15, 2026July 10, 2026 ~ Rob Greenlee ~ Leave a comment

In Episode 674 of the New Media Show, Podcast Hall of Fame Host Rob Greenlee welcomes Rox Codes, CEO and co-founder of Flightcast.com.

For a deep conversation about video-first podcasting, YouTube growth, AI-powered analytics, creator tools, and where podcast publishing is heading next.

Rox Codes has spent years building tools for creators, including YouTube optimization, thumbnail and title creation, A/B testing, and creator growth systems.

Flightcast was co-founded with Steven Bartlett of The Diary of a CEO. Rox is building a platform centered on a core shift in the market: serious shows are no longer just audio-first with a bonus video version.

Many of the fastest-moving creators now think about YouTube first, then audio, clips, Spotify, Apple Podcasts, newsletters, social platforms, and every other surface where the audience may discover the show.

Has video-first podcasting fully arrived, and is it now equal to audio, or is it becoming even more important for growth?

Rox explains that Flightcast came from a very different starting point than traditional podcast hosting. Instead of beginning with RSS, downloads, and audio workflow, the platform was built from a YouTube creator mindset.

YouTube has long been the clearest growth platform for creators because it combines publishing, discovery, audience development, monetization, and measurable performance into a single system. Podcasting, by contrast, has often separated those pieces across hosting platforms, apps, ad systems, analytics dashboards, and RSS-based distribution.

The episode explores why this matters now. A modern show can become a long-form YouTube episode, an audio podcast, Spotify video, Apple video, short-form clips, newsletter content, social posts, community discussion, and brand inventory. Rox describes podcasts as a powerful format because a single strong two-hour conversation can yield many different media assets across multiple platforms.

That creates opportunity, but it also creates complexity.

They discuss Apple’s HLS video support, Spotify video, YouTube, RSS, 4K video, thumbnails in feeds, Netflix, Roku, FAST channels, Prime Video, and the growing need for creators to publish into more places without needing to understand every technical layer underneath.

Rox argues that creators should not have to care about acronyms like HLS, VAST, RSS, or 301 redirects unless the technology directly affects their business. The software should handle the complexity so creators can focus on the show, the audience, and the growth strategy.

A major theme of the episode is that video success is not just about uploading an MP4 file. Rox makes a strong case that the real shift is in mindset. On YouTube, titles, thumbnails, intros, pacing, retention, curiosity gaps, promise, progress, payoff, packaging, and audience behavior all matter. Podcasting has historically treated episode art and titles as secondary. YouTube treats them as the front door to the content.

Rob and Rox spend significant time on thumbnails and titles, including why creators need to understand the psychology behind a click without reducing the work to empty clickbait.

Rox explains that a thumbnail should create a question the viewer wants answered, while the episode itself must deliver enough value to earn attention and retention. The best creators do not copy blindly. They study what works, understand why it works, and apply that structure in their own voice, to their audience, and through their creative point of view.

The conversation also moves into AI.

Rox does not describe Flightcast as an AI-first platform, but AI is an important layer inside the system. He sees major value in AI analytics, back-catalog analysis, clip testing, title suggestions, descriptions, chapters, transcripts, and pattern recognition. His larger ambition is to bake more of the YouTube strategist and producer mindset directly into the software so creators can see what is working, what is not working, and where new growth opportunities may exist.

Rob and Rox also discuss monetization. As video moves deeper into podcast platforms, host-read ads, dynamic ad insertion, video ad formats, brand partnerships, affiliate models, and creator-controlled advertising may begin to converge. Rox explains Flightcast’s ability to support programmatic, dynamic sponsorships and bring-your-own-programmatic monetization, while keeping the platform focused on growth and creator support rather than solely on ad sales.

The episode closes with a look at the future of podcast hosting itself.

Rox argues that basic hosting has become a commodity. The next layer is growth, analytics, experimentation, distribution, monetization support, and creator intelligence. In a world where AI can make software easier to build and copy, the real advantage may come from insight, speed, taste, data interpretation, and the ability to help serious creators make better decisions faster.

For creators, publishers, networks, and podcast platforms, Episode 674 is a clear look at the next stage of podcasting: video-first, data-aware, AI-supported, YouTube-influenced, and increasingly built around shows that can travel everywhere.

Chapter Topic Time Stamp Markers:

00:00 Welcome to The New Media Show Episode 674
00:19 Has video-first podcasting arrived?
01:21 Introducing Rox Codes and Flightcast
02:32 Building tools for YouTubers before podcasting
03:18 Why podcast hosting needed a YouTube-first mindset
04:13 Building the Flightcast playbook around video-first shows
05:31 Bringing the Diary of a CEO playbook into software
06:54 Can a platform support data-driven production?
08:27 AI, automation, and the future of show creation
09:13 LLMs and AI tools in creator workflows
10:23 AI as a podcast data consultant
11:19 Publishing, analytics, and experimentation
13:41 Could Flightcast become a creator operating system?
14:17 Podcasts as long-form source material for every platform
16:39 Is YouTube success the strongest growth signal?
17:19 Growth, retention, and why YouTube has the advantage
19:44 Going from YouTube to audio vs audio to video
20:49 Who Flightcast is built for
21:28 Apple HLS, Spotify video, and platform complexity
22:21 Can Apple or Spotify compete with YouTube video?
23:43 Video as human connection
24:24 Apple Podcasts video and the return of native video distribution
25:51 Netflix, podcasts, and low-cost creator TV
27:22 Why creator video can work across phone, laptop, car, and TV
28:20 Apple TV, 4K, and the quality question
29:16 Why creators should not need to understand HLS or RSS
31:55 The podcast industry still has too much technical friction
33:46 Alternate enclosure, iHeart, HLS, and RSS thumbnails
34:27 Why episode artwork and thumbnails now matter more
35:10 The thumbnail and title are the packaging
37:14 AI thumbnail scoring and creative judgment
38:08 Thumbnail psychology and curiosity gaps
38:52 Retention editing, strong intros, and promise-progress-payoff
40:10 Why better videos can multiply results
41:19 The real workload behind YouTube-quality video
42:37 Legacy media skills vs YouTube creator skills
44:50 Faster testing cycles changed creator media
45:32 Why video can be ten times harder when done right
45:53 How AI can bake strategy into software
47:00 Where Flightcast differs from early-stage creator tools
47:32 YouTube algorithm changes and podcaster anxiety
49:19 HLS, video ads, and creator-controlled ad insertion
50:22 Dynamic ads across YouTube and podcast platforms
51:33 Platform trust and monetization value
52:01 YouTube brand connections and affiliate models
53:18 Right brand, right creator, right price
54:35 360 campaigns, affiliates, and creator investments
57:17 Organic product mentions and brand relationships
58:14 What podcast hosting becomes next
58:46 Hosting as a commodity and growth as the real business
59:37 APIs, AI coding, and software moats
1:00:30 Where is the moat in creator software?
1:01:07 Staying ahead through insight and experimentation
1:03:32 Advanced analytics as the future advantage
1:04:41 Every creator has a different data pattern
1:05:14 MrBeastification, AI, and creator sameness
1:06:10 Outlier analysis and creative inspiration
1:07:15 Why outlier theory works when used correctly
1:08:44 Packaging the topic before recording
1:09:32 Does this conflict with podcasting culture?
1:11:01 Why data-driven formats do not have to kill creativity
1:12:23 Ryan Trahan and creative twists on proven formats
1:14:17 Packaging as the price of audience attention
1:15:04 Craft, creativity, and changing the playbook
1:16:51 Podcasting’s radio roots and YouTube’s different rules
1:17:27 Flightcast demo: stop guessing what content works
1:18:00 Publishing video everywhere with unified analytics
1:18:51 Measurement standards and the 30-second vs 60-second debate
1:20:21 AI analytics, clips, and test channels
1:21:35 YouTube API limits and thumbnail A/B testing
1:22:51 Flightcast monetization and bring-your-own programmatic
1:23:55 Transcripts, AI titles, descriptions, and chapters
1:24:21 Flightcast pricing and plans
1:25:41 HLS across all plans and video storage differences
1:26:32 Future pricing credits for more clips
1:26:48 Closing thoughts and where to find the episode

Guest Links: Rox Codes, CEO and Co-Founder, Flightcast

Flightcast: https://flightcast.com
Rox Codes Website: https://roxcodes.com
Rox Codes on LinkedIn: https://www.linkedin.com/in/roxcodes
Rox Codes on X: https://x.com/RoxCodes
Rox Codes on YouTube: https://www.youtube.com/channel/UChg53qPBdY1FF8gjOlB9zkg

Rob Greenlee and New Media Show Links

Personal / AI Disclosure Note:

I used AI tools to help organize and edit this episode description and generate show notes from the episode transcript. The views, clarifications, responsibility, and industry perspective are mine and my guest’s. This article reflects my editorial direction and the substance of the conversation.

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Podcasting Beyond the Download | Casey Adams, Listener.com #673

July 12, 2026July 9, 2026 ~ Rob Greenlee ~ Leave a comment

In Episode 673 of the New Media Show, host 2017 Podcast Hall of Famer Rob Greenlee welcomes Casey Adams, founder and CEO of Listener.com and host of The Casey Adams Show, for a timely conversation about how podcasting, video, social content, advertising, and new media measurement are rapidly converging.

For more than 20 years, podcasting has relied heavily on RSS feeds, downloads, and audio-first measurement as the foundation of distribution and advertising value. That still matters, but the media environment around it has changed dramatically.

Shows now are distributed across Apple Podcasts, Spotify, YouTube, social video, newsletters, clips, livestreams, and direct audience communities. Audiences may call it all a podcast, even as the industry continues to debate its technical definition.

Casey brings a founder, creator, and investor perspective to the discussion. He started podcasting as a teenager, interviewing founders and entrepreneurs, and later built MediaKits.com before moving into podcast analytics with Listener.com. His current work focuses on helping modern publishers understand how a single episode performs across audio, long-form video, short-form clips, newsletters, and social platforms.

Rob and Casey explore why the term “podcast” now means different things to different groups. To many longtime industry professionals, podcasting still points back to RSS-based audio distribution. To many younger listeners and viewers, it means a format: a recurring show, often conversational, often video-enabled, and consumed wherever attention already exists.

The conversation centers on one of the biggest questions facing podcasting and new media right now:

How do you measure the true value of a show when the audience is no longer in one place?

Rob and Casey also discuss why the download can no longer carry the entire weight of podcast measurement.

A single episode may now generate value through an Apple Podcasts listen, a Spotify stream, a full YouTube view, a YouTube Short, a TikTok clip, a LinkedIn post, an X post, a newsletter mention, and a brand integration that travels across all of those surfaces. Each platform counts activity differently. Each platform has its own audience behavior. That makes reporting, sponsorship value, and campaign analysis more complex.

Casey explains Listener.com’s concept of episode clusters: grouping the full set of related content around one episode so publishers and advertisers can see the larger cross-platform reach and performance.

Instead of treating the audio file as the entire campaign, an episode cluster recognizes that one conversation can become long-form video, social clips, newsletter content, and multiple ad touchpoints.

We also discuss the rising influence of creator-led media companies. Examples like TBPN, Jomboy Media, Substack’s media activity, and venture-backed new media brands show how independent shows and creator-driven networks are increasingly competing with legacy media for attention, trust, and advertiser value.

The conversation explores why companies, CEOs, investors, and major brands now seek to control their own narrative through podcasts, owned shows, and trusted media relationships.

We also examine the advertising side of this shift. Brands want better campaign reporting, but they also want context. A host-read placement, a social clip, a full video episode, and a newsletter mention should not all be treated the same.

Modern publishers need tools that let them demonstrate the full value of their media ecosystem without flattening every metric into a single misleading number.

Meaning for creators. Being a podcaster may no longer fully describe the work involved. Modern show builders are becoming media operators. They need to understand production, audience behavior, platform distribution, brand positioning, analytics, content packaging, and trust. The technical meaning of podcasting still matters, but the audience meaning matters just as much now.

For creators, networks, agencies, and brands, Episode 673 offers a clear look at the next stage of podcasting: a media business built around trusted shows, distributed everywhere, measured more intelligently, and no longer limited to downloads.

Topics Covered in This Episode:

00:33 Why podcast measurement is changing
01:00 Moving beyond the download
01:44 RSS, streaming, and modern distribution challenges
02:42 Introducing Casey Adams of Listener.com
03:37 Casey Adams joins the show
04:17 What Listener.com is trying to solve
05:00 AI-powered analytics for modern podcast publishers
05:41 Casey’s podcasting origin story
06:30 Interviewing Larry King and learning from media legends
07:18 Larry King’s warning about rejecting new media trends
08:04 From MediaKits.com to Listener.com
09:15 Rob’s early podcasting and radio background
10:04 Why the industry struggles with change
11:00 Does Casey still consider himself a podcaster?
12:00 Podcasts as a format, not just a technology
13:10 YouTube, Spotify, and the expanded podcast ecosystem
14:34 Why modern shows must meet audiences where they are
15:37 The audience now defines what a podcast means
16:16 RSS audio vs the broader podcast perception
17:16 Apple HLS and the pressure on RSS
18:17 The industry needs to accept broader podcast usage
19:26 Younger audiences and podcast consumption habits
20:39 Larry King’s quote behind Listener.com
21:25 Why RSS is becoming less visible to creators and audiences
23:21 Respecting podcasting’s roots while accepting change
24:00 The Uber analogy for podcasting’s disruption
25:41 Journalists, creators, and independent media companies
27:49 Creator-led media and the rise of new media brands
28:33 Legacy media relevance is being challenged
30:13 TBPN and the new media company model
31:28 Treating a show like a full media ecosystem
32:36 Year-long sponsorships and category exclusivity
33:49 Why serious creators must think like media companies
35:19 How podcast analytics supports advertiser relationships
36:00 Silicon Valley’s renewed interest in “new media”
37:23 The pandemic pushed legacy media into creator workflows
38:16 Casey introduces the Listener.com platform
39:05 Jomboy Media and creator-led sports coverage
40:00 Episode clusters and cross-platform performance
41:00 Tracking long-form video, audio, and short-form clips
42:18 Episode reports for brands and publishers
43:05 Why every platform metric should be valued differently
44:00 How Listener.com supports campaign reporting
45:00 Aggregating metrics from multiple platforms
46:00 Audio, content, commerce, and newsletter integrations
47:00 Using AI to match clips to episodes
48:00 Listener AI and talking to your podcast data
49:23 Making podcast data easier to understand and share
50:00 Where podcast analytics and AI go next
51:28 AI can guide creators, but execution still wins
52:23 Using AI as a thought partner for content strategy
53:24 Why creators must keep improving their shows
54:47 What drives new media inspiration today?
56:01 Why companies want to control their narrative
57:15 CEOs, podcasts, and trusted long-form conversations
58:22 Substack, owned media, and creator platforms
59:21 New podcast metrics standards and platform conflicts
1:00:35 How different platforms count views and plays
1:02:16 Serving publishers while tracking industry standards
1:03:00 Why brands need better cross-platform campaign reports
1:04:28 Toward better host-read campaign reporting
1:05:14 How platform changes flow into Listener.com data
1:06:00 Why publishers should control their own data
1:07:00 Putting a show’s full value forward
1:08:03 Brand, trust, and modern podcast IP
1:09:34 OpenAI, TBPN, and strategic media investment
1:10:32 Why TBPN brought sponsors back
1:11:11 How media brands can help shift company narratives
1:12:15 New media as a strategic communications layer
1:14:00 Lessons from AI-generated podcast network messaging
1:14:46 The risk of platform influence after acquisition
1:16:00 Why the TBPN deal was more than a podcast deal
1:16:39 Will more companies buy or build media brands?
1:17:40 HubSpot, distribution, and trusted voices
1:18:08 Why creators must stay honest with audiences
1:19:40 Authenticity and audience trust in sponsorships
1:20:05 Casey’s closing thoughts on podcasting and new media
1:20:34 Rob’s closing view on podcasting as one lane in new media
1:21:41 How publishers can work with Listener.com
1:22:43 Networks, independent shows, and Listener.com’s go-to-market
1:23:56 Closing remarks and where to find the show

Guest Links: Casey Adams, Founder and CEO, Listener.com

Listener.com: https://listener.com
Casey Adams Show & Website: https://www.caseyadams.com
The Casey Adams Show on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-casey-adams-show/id1328795944
Casey Adams on LinkedIn: https://www.linkedin.com/in/casey-adams-430b3114a/
Casey Adams on X: https://x.com/CaseyAdams
Casey Adams on Instagram: https://www.instagram.com/casey/

Host: Rob Greenlee and New Media Show Links

Personal / AI Disclosure Note

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The Future of Media | Leo Laporte, TWiT.tv #672

July 8, 2026July 8, 2026 ~ Rob Greenlee ~ Leave a comment

In Episode 672 of the New Media Show, host 2017 Podcast Hall of Famer Rob Greenlee welcomes Leo Laporte, founder and owner of the TWiT Podcast Network, longtime technology broadcaster, and 2015 Podcast Hall of Famer.

He launched TWiT in 2005 and built one of the earliest independent technology media networks around a simple idea: make strong shows, distribute them everywhere the audience wants to watch or listen, and build a real relationship with the people who return every week.

Leo has spent decades at the center of the shift from broadcast radio and cable television into online shows, podcasts, livestreams, video, and creator-led media.

This conversation looks at where that model is heading now.

The word “podcast” helped define an era of downloadable audio, RSS feeds, and iPods. Today, audiences find shows through YouTube, Apple Podcasts, Spotify, Netflix, social platforms, livestreams, clips, newsletters, and communities.

Most viewers or listeners do not care how a show is technically delivered. They care whether it is easy to find, worth their attention, and made by people they trust.

Rob and Leo discuss why the technical barrier to starting a show has fallen so far, while the challenge of creating meaningful content has never gone away. Anyone can publish.

Building a show that earns repeat attention takes perspective, consistency, subject knowledge, and a genuine relationship with an audience.

Leo reflects on TWiT’s early video strategy, its experiments with live 24/7 programming, and the importance of creating a sense of place around a media brand.

Video can deepen audience connection, while audio remains one of the most personal forms of media because it travels with listeners through daily life.

The discussion also explores the growing complexity of distribution and measurement. Audio and video are increasingly becoming one media experience, yet advertisers still face fragmented metrics across RSS, YouTube, streaming platforms, and social video.

Rob and Leo talk about Apple HLS video, the gap between download metrics and actual consumption, the limitations of existing IAB measurement standards, and why advertiser confidence still often comes down to audience fit and trusted host-read relationships.

A strong audience relationship has more long-term value than a number on a dashboard that may not fully reflect who watched, listened, responded, or bought.

Leo also shares his view that AI is a major structural technology transition. TWiT has expanded its coverage through Intelligent Machines, looking at AI, robotics, and the impact these tools will have on work, media, and daily life.

AI can help creators research, edit, generate visuals, improve production workflows, translate content, and extend the usefulness of existing media. It can also generate massive volumes of generic content, clone voices, and make it harder for audiences to know what is real.

Rob and Leo discuss whether clearly identified and certified human-led media may become more valuable as synthetic content becomes harder to distinguish from authentic work. They agree that human perspective, lived experience, spontaneity, and community will continue to matter deeply in a media environment crowded with automated output.

The episode closes with a look at the next generation of media habits. Leo points to the rise of short-form scrolling, social video, and new creator business models, while also making the case for long-form conversations and communities that bring people together instead of pushing them further apart.

For creators and media companies, the path forward is still clear: build work that people value, meet the audience where they are, stay flexible as platforms change, and create relationships strong enough to survive the next technology shift.

Topic Chapter Time Stamp Markers:

00:00 — Welcome to The New Media Show Episode 672
Rob Greenlee introduces Leo Laporte and sets up the episode around online new media, podcasting, video, AI, and where media is heading next.

02:15 — Leo Laporte Joins the Conversation
Leo reflects on how long he and Rob have been part of the early era of podcasting and online media.

02:45 — Is It Still New Media?
Rob and Leo discuss whether “new media” still works as a term, and why podcasting may now be part of a much larger media category.

03:30 — Why Leo Wanted to Call Podcasts “Netcasts”
Leo explains why he resisted the term “podcast” early on and why he still thinks creators are really making shows.

04:35 — Podcasting Beyond the Download
The conversation moves into YouTube, Netflix, Spotify, RSS, streaming, and why the audience cares more about access than the delivery format.

05:25 — Be Everywhere the Audience Wants You
Leo explains one of TWiT’s core decisions: distribute content wherever listeners and viewers want to consume it.

06:10 — Discovery Is the New Challenge
Podcasting is easier to access than ever, but harder to discover because audiences now have millions of choices.

07:35 — Why Starting Is Easy but Building a Show Is Hard
Leo explains that technical barriers have fallen, but the real challenge remains content, authenticity, and audience connection.

09:20 — Talent, Audience, and the Return of Media Gatekeeping
Rob and Leo discuss whether attention is consolidating again around fewer large creators and channels.

10:25 — Audience Size vs Real Business Value
Leo separates building an audience from building a media business and explains why YouTube monetization still requires scale.

11:05 — Radio, Podcasting, and the Early TWiT Model
Leo talks about his radio background, his first podcast from 2004, and how broadcasting and podcasting share the same core idea.

12:05 — The Brick House Studio and Legitimacy
Leo explains why TWiT built a large studio: to show advertisers and audiences that online media could be a serious media business.

13:05 — Video Was Always Part of the Plan
Rob and Leo talk about how TWiT was doing video years before the current “video podcasting” push.

13:40 — Audio Intimacy vs Video Presence
Leo explains why radio creates intimacy, while video adds place, presence, and a different kind of audience relationship.

16:05 — TWiT as a Lean-Back Media Network
Leo describes his early vision for TWiT as a low-cost version of CNN or CNBC for technology coverage.

17:00 — 24/7 Streaming and Live Community
The conversation covers TWiT’s 24/7 stream, live programming, behind-the-scenes feel, and why raw authenticity helped the brand.

18:40 — Why Technology Was the Right Beat
Leo explains why covering technology kept TWiT relevant through major shifts from the iPhone to AI.

20:35 — AI as the Next Major Technology Shift
Leo compares AI to structural technology changes and explains why he sees it as a major long-term shift.

22:20 — From This Week in Google to Intelligent Machines
Leo discusses rebranding a TWiT show around AI and robotics as the center of technology coverage moved.

23:15 — Can AI Create Real Media?
Rob asks Leo about AI-generated content, and Leo explains why he still believes humans will remain central to media creation.

24:20 — AI Tools, Voice Cloning, and Advertising
Leo talks about using AI tools, ElevenLabs voice cloning, and the potential for AI-generated ad reads.

25:25 — Why Human Spontaneity Still Matters
Rob and Leo discuss whether AI clones can capture the same timing, originality, and human presence as real creators.

26:35 — Zune, Apple, Siri, and AI Adoption
A lighter segment on Zune leads into Apple’s AI plans and how mainstream users may begin to understand AI’s practical value.

27:45 — AI Backlash, Jobs, and Human Value
Rob and Leo discuss AI anxiety, job disruption, retraining, and why people need to understand where their human value lies.

29:30 — Will the Word Podcast Survive?
Rob asks whether “podcast” will remain the right term as audiences define the medium more than creators or platforms do.

30:40 — Shows, Creators, and Human Creation
Leo argues that “show” may be the better word and reflects on why humans are naturally driven to create.

33:05 — Apple HLS and the Audio-Video Merge
Rob and Leo discuss Apple HLS, streaming formats, video RSS, audio RSS, and the shift toward combined audio-video experiences.

37:05 — Measurement Across Audio, Video, and Platforms
The conversation turns to the challenge of consistent measurement across RSS, YouTube, Apple, Spotify, and other platforms.

38:20 — Host-Read Ads, Video Ads, and Dynamic Insertion
Leo explains how TWiT handles baked-in host reads, dynamic ad insertion, and the coming shift toward video ad insertion.

39:10 — The Problem with Podcast Metrics
Leo explains why measuring podcast consumption remains messy, especially across corporate networks, mobile listening, and YouTube.

41:10 — Why Attribution Still Falls Short
Rob and Leo discuss why promo codes, attribution links, and dashboards do not fully capture real audience behavior.

43:15 — Trust as the Real Advertising Asset
Leo explains why TWiT’s value to advertisers comes from trusted hosts, engaged audiences, and long-term sponsor relationships.

45:00 — Podcasting 2.0 and Shared Economic Models
Rob introduces the idea of shared value between advertisers, apps, creators, and listeners, and Leo reacts to the concept.

46:15 — Oxford Road, Dan Granger, and New Metrics
Rob brings up Dan Granger’s work around new podcast measurement standards and the 30-second vs 60-second listener discussion.

47:35 — Why Creator-Side Metrics Matter
Leo explains why he is skeptical of advertiser-driven measurement systems and why inflated podcast numbers damaged trust.

49:15 — Subscriptions, Membership, and Reducing Ad Dependence
Leo explains why audience-supported media would be ideal and how TWiT’s paid club fits into the business model.

50:20 — The Art of the Host-Read Ad
Rob and Leo discuss why Leo’s long-form host reads worked, including the value of making ads useful and content-like.

52:45 — Where Media Consumption Is Heading
Rob asks Leo what may come next in media, and Leo points to short-form scrolling, TikTok, Instagram, and changing audience behavior.

54:00 — Leo’s Son, TikTok, and the Next Generation of Media
Leo shares how his son built a major food audience through short-form video and turned it into a restaurant and cookbook business.

55:35 — Long-Form Still Has a Future
Leo argues that long-form shows can still matter if they create value, community, and real connection.

56:45 — Community as the Core of Media
Leo explains why connection and community remain the most important part of media, no matter how platforms change.

57:30 — The Risk of Doom Scrolling
Rob and Leo discuss short-form addiction, dopamine loops, and how constant scrolling can disconnect people from real community.

58:35 — AI Slop and Synthetic Video
The discussion moves to AI-generated video content, fantasy media, and the question of whether audiences will tire of low-quality synthetic output.

59:35 — Human Clones, AI Presence, and Authenticity
Rob asks whether AI versions of creators could extend their presence, and Leo reflects on voice clones, soul, and human perspective.

1:00:35 — Human-Made Media May Become More Important
Rob suggests that labeling human-made content may become more valuable as AI content grows more convincing.

1:01:20 — Remembering Todd Cochrane and Podcast Hall of Fame
Rob and Leo reflect on Todd Cochrane, the Podcast Hall of Fame, and the early podcasting community.

1:03:10 — The Hall of Fame, Dave Winer, and Joe Rogan
Leo and Rob talk about the Podcast Hall of Fame, Dave Winer, Joe Rogan, and recognizing major contributors to podcasting.

1:04:45 — Closing Thoughts and Where to Find the Show
Rob thanks Leo and closes the episode with where to find past episodes and future New Media Show content.

Guest Links: Leo Laporte, Founder and Owner, TWiT Podcast Network

TWiT Podcast Network: https://twit.tv/
Leo Laporte Website: https://leo.fm/
Leo Laporte on LinkedIn: https://www.linkedin.com/in/leo-laporte-8aa224309/
Leo Laporte on YouTube: https://www.youtube.com/@LeoLaporte
Intelligent Machines: https://twit.tv/shows/intelligent-machines
This Week in Tech: https://twit.tv/shows/this-week-in-tech

Rob Greenlee and New Media Show Links

Rob Greenlee Website: https://robgreenlee.com/
New Media Show: https://newmediashow.com/
New Media Show Audio on Apple Podcasts: https://podcasts.apple.com/us/podcast/new-media-show-audio/id392545649
New Media Show on YouTube: https://youtube.com/@TheNewMediaShow
Rob Greenlee on YouTube: https://youtube.com/@RobGreenlee
Podcast Hall of Fame: https://podcasthall.com/

AI Disclosure Note:

I used AI tools to help organize and edit this episode, description, and generate show notes from the episode transcript. The views, clarifications, responsibility, and industry perspective are mine and my guest’s. This article reflects my editorial direction and the substance of the conversation.

Podcast: Play in new window | Download

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Can Creator Economy Build a Better Podcasting? | Sam Sethi, TrueFans #671

July 2, 2026July 3, 2026 ~ Rob Greenlee ~ Leave a comment

In this episode of The New Media Show, host 2017 Podcast Hall of Famer Rob Greenlee welcomes Sam Sethi, founder of TrueFans and co-host of the Podnews Weekly Review.

They had a wide-ranging conversation about the future of podcasting inside the larger creator economy.

Podcasting helped create the independent creator movement through RSS, niche audiences, direct publishing, and long-form content that builds audience trust.

Today’s creators are building broader businesses around video, memberships, newsletters, live events, merchandise, premium content, clips, community, and direct fan relationships.

So, can the creator economy help build a better, more sustainable podcasting industry?

Rob and Sam explore why podcasting can no longer think only in terms of feeds, files, downloads, and ad impressions. They discuss the rise of creator portals, the importance of owning the relationship with audiences, and how platforms such as Patreon, Substack, Beehiiv, YouTube, Spotify, and Apple are changing creator expectations.

The conversation also examines whether advertising is becoming less central to the creator business model, and how subscriptions, premium content, micropayments, stablecoins, and value-for-value models could create new ways to share revenue among creators, listening apps, platforms, and even audiences.

Sam shares his perspective on HLS streaming, watch time and listen time analytics, activity streams, super fans, publisher feeds, and “super feeds” that can connect audio, video, events, merchandise, blogs, and community into a more portable, creator-owned media presence.

Rob and Sam also dig into the impact of AI on podcasting: AI-generated shows, human engagement as a discovery signal, AI bots scraping media, the rising need for clear content licensing, and the tension between making content available to AI discovery systems while protecting creator rights and value.

This episode is a deep look at where open RSS, creator ownership, platform control, AI discovery, video, monetization, and audience relationships may be heading next.

Topics covered in this episode include:

• The evolution of podcasting into a broader creator-led media business
• Why creators need direct relationships with fans, not just platform reach
• Creator portals – memberships, newsletters, live events, merchandise, and premium content
• Whether ad-supported podcasting is becoming less important
• HLS streaming, listen-time and watch-time measurement, and better advertising accountability
• Micropayments, value-for-value, stablecoins, and new revenue-sharing models
• Activity streams, super fans, community engagement, and audience signals
• AI-generated podcasts, discovery, AI bots, and licensing creator content
• Publisher feeds, super feeds, playlists, and collective buying power for independent creators
• Open RSS, data portability, proprietary platforms, and the future of media distribution

The New Media Show is a human-hosted and guested conversation about the future of creator-led digital media, including podcasting, video, live streaming, AI, audience trust, discovery, monetization, platforms, and the changing relationship between creators and their communities.

Watch the video and audio editions below and on YouTube; listen to the audio edition in your favorite podcast app; watch the video edition in Apple Podcasts; and visit NewMediaShow.com and RobGreenlee.com for more episodes and industry conversations.

Guest Links: Sam Sethi, Founder/CEO, TrueFans

TrueFans: https://truefans.fm
Sam Sethi on LinkedIn: https://uk.linkedin.com/in/samsethi
Sam Sethi on TrueFans: https://truefans.fm/fans/sam
Podnews Weekly Review: https://weekly.podnews.net
Sam Sethi on Podnews Weekly Review: https://weekly.podnews.net/1538779/contributors/411-sam-sethi

Rob Greenlee and New Media Show Links

About the Host/Author:
Rob Greenlee is a 2017 Podcast Hall of Fame inductee and Chair, a global new-media leader who bridges podcasting’s human roots and its AI-driven future. As founder of Trust Factor Lab and host of the New Media Show and Spoken Human, Rob helps creators start, grow, monetize, and future-proof their content. He has held leadership roles at Microsoft, Spreaker, Libsyn, StreamYard, Podbean, and PodcastOne, and serves as Chairperson of the Podcast Hall of Fame.

Personal / AI Disclosure Note:
I used AI tools to help organize and edit this video, episode description, and generate show notes from the episode transcript. The views, clarifications, responsibility, and industry perspective are mine and my guest’s. I have been working in podcasting, digital media, and platform adoption for more than two decades, and this article reflects my own position and editorial direction.

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What Should Creators Disclose When Using AI? | Alberto Betella, RSS.com #670

June 28, 2026June 28, 2026 ~ Rob Greenlee ~ Leave a comment

Should every use of AI in a podcast, video, or creator workflow be disclosed?

A better question is whether AI created the actual substance of what the audience came to hear or watch.

On Episode 670 of the New Media Show, Rob Greenlee is joined by Alberto Betella, co-founder of RSS.com and creator of “Should I Disclose AI?“

Is a timely conversation about AI transparency, synthetic media, voice cloning, human trust, and the future of creator-led media.

AI is now helping creators edit video, create captions, translate episodes, generate clips, improve workflows, personalize advertising, and accelerate production. But AI can also generate entire shows, clone voices, imitate experts, create deceptive media, and overwhelm platforms with low-effort content.

The challenge is not simply whether AI was used.

The challenge is understanding when AI use changes what the audience is actually receiving.

Alberto shares his practical “Substance Test” framework for AI disclosure. The central idea is simple: if AI created the core performance, information, expertise, or experience that brought the audience to the content, creators should disclose it. But using AI as a supporting production tool does not necessarily mean the entire episode should be labeled as AI-generated.

Rob and Alberto explore the difficult gray areas: AI-translated episodes, cloned voices reading human-written scripts, AI-written scripts read by humans, platform auto-labeling, watermarking, creator consent, programmatic advertising, AI search, and the future value of human-made media.

They also discuss why disclosure should not be a punishment or a stigma. Transparency can give audiences more context, help platforms manage risk, and allow creators to use AI responsibly without pretending that every use of AI is deceptive or low quality.

The bigger question is whether creators can use AI to make better work while still protecting the human trust, judgment, originality, and relationships that make media meaningful.

Guest:
Alberto Betella: Co-Founder, RSS.com; creator of Should I Disclose AI?

Host:
Rob Greenlee, 2017 Podcast Hall of Fame inductee, New Media Show host, and Chairperson of the Podcast Hall of Fame

AI Use Note:
This episode includes an AI-assisted opening visual and the show notes based on the transcript. The conversation, editorial direction, and analysis are human-led.

Rough Chapter Break Topics:

00:00 Should creators disclose their use of AI?
03:00 Introducing Should I Disclose AI?
06:00 Human imperfection, authenticity, and audience trust
10:00 The difference between AI tools and AI-created substance
15:00 AI translation, cloned voices, and disclosure nuance
22:00 Detection, watermarking, and platform AI labels
26:00 YouTube auto-labeling and the economics of AI content
31:00 Will “human-made” become a premium signal?
33:00 AI-assisted post-production and human creative direction
38:00 Video-first, audio-first, and platform-native content
43:00 Voice cloning, consent, and personalized advertising
47:00 Quality, creator reinvention, and the AI reset
51:00 When AI can create useful new forms of media
56:00 Disclosure without stigma or punishment
57:00 AI search, one-answer systems, and human curation
01:01:00 Prompt literacy, digital likeness, and the future of AI

Guest Links: Alberto Betella

RSS.com: https://rss.com/
Should I Disclose AI?: https://shouldidisclose.ai/
Alberto Betella on LinkedIn: https://www.linkedin.com/in/albertobetella
Should I Disclose AI? on GitHub: https://github.com/albertobeta/shouldidisclose.ai

Rob Greenlee and New Media Show Links

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Can Human Creators Still Win in an AI-Flooded Media World? | Rob Walch #669

June 26, 2026 ~ Rob Greenlee ~ Leave a comment

New Media Show with Rob Greenlee #669 with Guest Rob Walch, VP, Podcaster Relations at Captivate.com In episode 669 of the New Media Show, host Rob Greenlee talks with Rob Walch, VP of Podcaster Relations at Captivate and DAX.

Podcast Hall of Famers Rob Walch and Rob Greenlee discuss one of the biggest pressure points facing creators today: Can human creators grow, monetize, and maintain audience trust as platforms fill with AI-generated podcasts, synthetic video, cloned voices, and automated content channels?

I apologize for the rough audio in this episode. The audio was choppy in the virtual recording, and I did the best I could to improve it.

The conversation begins with a bigger question: Where is the line between useful AI tools and low-effort, fully automated content that weakens trust, damages advertising ROI, and makes it harder for original creators to be discovered and rewarded?

AI can help creators research, edit, translate, caption, clip, and distribute their work more efficiently. But the human perspective, real creative judgment, authentic voice, and trusted audience relationship must remain at the center of the content experience.

Rob Walch shares updates on Captivate, DAX, and the evolving podcast monetization landscape before diving into the rise of mass-produced AI content and the growing use of the term “AI slop.”

Rob Greenlee and Rob Walch discuss why not every use of AI belongs in the same category, why transparency and disclosure matter, and how creators can use AI responsibly without losing the human value that makes their work worth following.

They also explore YouTube’s evolving AI-labeling approach, the future of human-generated content, platform responsibility, advertising risks, Apple HLS video, YouTube’s new focus on audio listening, video-versus-audio strategy, and how AI tools may help independent creators manage a rapidly expanding distribution workload.

The larger takeaway is that creators do not need to choose between being human and using AI. The opportunity is to use AI as a creative and operational assistant while keeping human thinking, trust, judgment, relationships, and original perspective at the core of the work.

00:00 Welcome to New Media Show #669
01:30 Introducing Rob Walch and His New Role at Captivate
02:30 Captivate Marketplace and Creator Monetization
05:00 What DAX and Global Bring to Podcast Advertising
08:30 What Does “AI Slop” Actually Mean?
11:00 How Mass AI Content Could Hurt Ad ROI and CPMs
13:30 The Scale of AI-Generated Podcast Uploads
16:00 Why AI Use Is Not One-Size-Fits-All
18:00 Bad Human Content vs. Bad AI Content
20:00 Platform Responsibility, Spam, and Fraud
22:00 YouTube AI Labeling and Creator Disclosure
25:00 AI Watermarks, Trust, and Human-Generated Content
28:00 Will Advertisers Prefer Human-Hosted Shows?
30:00 When Creators Should Disclose AI Use
33:00 AI Tools for Research, Editing, Audio Cleanup, and Workflows
36:00 Human Creativity Still Matters
39:00 Platform Discovery, Algorithms, and Audience Signals
44:00 Audio, Video, and YouTube’s Growing Interest in Listening
49:00 Apple HLS Video and the Podcast Monetization Challenge
54:00 Video Production, Baked-In Ads, and Creator Complexity
57:00 Why New Creators Can Still Start Audio-First
01:00:00 AI-Powered Clips, Repurposing, and Distribution
01:03:00 Monetization Risks and Alternatives Beyond Advertising
01:07:00 Podcast Standards, Video Metrics, and IAB Definitions
01:11:00 The Future of Audio, Video, AI, and Trusted Human Creators
01:19:00 Closing Thoughts and Where to Find Rob Walch

Guest and Host Links

Guest: Rob Walch
VP of Podcaster Relations, Captivate and DAX
Captivate: https://Captivate.fm
Global DAX: https://Global.com
Podcast411: https://Podcast411.com

Host: Rob Greenlee
New Media Show: https://NewMediaShow.com
Rob Greenlee: https://RobGreenlee.com
Trust Factor Lab: https://TrustFactorLab.com
Podcast Hall of Fame: https://PodcastHall.com
Rob Greenlee on LinkedIn: https://linkedin.com/in/robgreenlee
Rob Greenlee Booking: https://calendly.com/robgreenlee

Personal / AI Disclosure Note:
I used AI tools to help organize and edit this episode description and generate show notes from the episode transcript. The views, clarifications, responsibility, and industry perspective are mine and my guest’s. I have been working in podcasting, digital media, and platform adoption for more than two decades, and this article reflects my own position and editorial direction.

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Podcast (audio): Play in new window | Download

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Is New Media Replacing the Creator Economy? | Ollie Forsyth #668

June 18, 2026 ~ Rob Greenlee ~ Leave a comment

In episode 668 of the New Media Show, host Rob Greenlee talks with Ollie Forsyth, founder of New Economies and New-Media.co, about the fast-changing meaning of “New Media” and why creator-led media is becoming one of the most important shifts in digital publishing, podcasting, video, newsletters, live streaming, and AI-powered content.

The conversation begins with a bigger question: what does “New Media” mean now?

For years, the term New Media has described digital media outside traditional broadcast, print, and cable. But in 2026, the meaning is changing again. New Media is becoming less about a format and more about who the audience trusts, where attention is moving, and how creators are building direct relationships through podcasts, YouTube channels, newsletters, X, Instagram, live shows, private communities, short-form clips, and emerging AI-generated formats.

Ollie shares how New-Media.co started as a mapping project focused on tech newsletters, podcasts, and creator-led media brands, and quickly became a broader signal that a new category is forming. New Media is no longer just a description of online content. It is becoming a business, creator, and distribution category.

Rob and Ollie explore whether podcasting is still its own category or is becoming one lane within a larger New Media ecosystem. Rob brings the long history of podcasting, RSS, video podcasting, Apple Podcasts, YouTube, Spotify, Netflix, and creator platforms into the discussion, asking whether the word “podcast” is still enough to describe what audiences now consume.

A major theme in this episode is the difference between audience size and audience value. Ollie argues that creators do not always need massive audiences if they have focused, valuable, trusted communities. A show with 5,000 highly relevant listeners or viewers can be more valuable than a much larger audience that does not convert or engage.

The discussion also moves into traditional media and why legacy media companies may struggle to adapt to this new creator-led environment. Ollie says the difference is not just production quality. It is the vibe, the trust, the format, and the feeling that audiences are getting access to something more direct and less institutional.

Rob and Ollie also talk about how X, Instagram, YouTube, newsletters, and short-form clips are becoming the new media distribution stack. YouTube remains central for video and long-form discovery, while X and Instagram are becoming powerful platforms for attention and conversation for creators and media brands.

The final part of the episode turns to AI-generated content, synthetic media, AI micro-dramas, AI-generated podcasts, disclosure, and audience trust. Rob raises the tension around the term “AI slop” and whether the podcast industry is reacting differently to bad AI content than it has historically reacted to bad human-created content.

Ollie argues that AI can help create new forms of content, but it cannot replace the human element, charisma, taste, and trust that make a real show work.

This episode lands on a core New Media Show idea: podcasting helped build the foundation of today’s creator-led media world, but the next era is broader, more video-driven, more AI-assisted, more platform-diverse, and more dependent on human trust than ever before.

Key Topics:

What “New Media” means in 2026
Why creator-led media is gaining cultural and business influence
New Media vs. the creator economy
How New-Media.co maps creators, newsletters, podcasts, and media brands
Why podcasting may now be one lane inside a broader media ecosystem
Audience size vs. audience value
Why niche audiences can be more powerful than mass reach
How creators are building multi-platform distribution systems
YouTube, X, Instagram, Substack, newsletters, and short-form video
The role of clips in modern media growth
Why traditional media struggles to capture the creator-led “vibe”
How legacy media companies could partner with creators
Why “podcast” may be an audience term more than a creator identity
Netflix, YouTube, Apple Podcasts, and the shifting meaning of shows
AI-generated podcasts, AI micro-dramas, and synthetic content
Disclosure and transparency around AI-created media
Why human taste, trust, charisma, and curation still matter
The future of podcasting inside the larger New Media category

Chapter Markers:

00:00 Welcome to New Media Show #668
00:30 Why New Media Is Entering a New Era
01:30 Introducing Ollie Forsyth
03:00 What New Media Means Now
04:00 How New-Media.co Started
05:30 Why the New Media Category Is Gaining Attention
06:30 Mapping the New Media Landscape
08:00 How Creators Get Discovered
10:00 Creator Economy vs. New Media
11:30 Why OpenAI and TBPN Became a Signal
13:30 Audience Value vs. Audience Size
16:30 Timely vs. Timeless Content
18:00 Why Distribution Channels Matter
20:00 Are Podcasters Becoming Creators?
21:30 AI Micro-Dramas and New Entertainment Formats
23:00 Short-Form Content and Creator ROI
25:00 Building Multiple Distribution Channels
27:00 Is Podcasting Still the Right Term?
29:00 Apple Podcasts, HLS Video, and YouTube’s Influence
31:30 New Media as a Broader Category
32:30 Why AI Companies Want New Media Shows
33:30 Why Legacy Media Struggles to Adapt
35:00 The Vibe Difference Between Traditional Media and Creator Media
37:00 X, Instagram, and the New Distribution Stack
40:30 YouTube, Video, and Future-Proofing Media Brands
43:00 Planning Content Like a Media Company
45:00 Is Podcasting One Lane on a Bigger Freeway?
48:00 Why Creators Need More Than One Channel
50:00 Does the Audience Care What We Call It?
52:00 Is It Just a Show Now?
53:30 Netflix, YouTube, and Audience Expectations
55:00 Is New Media Here to Stay?
56:30 Taste, Attention, and Human Connection
58:30 AI-Generated Content and Podcasting’s Reaction
01:00:30 AI Disclosure and Transparency
01:02:00 AI Micro-Dramas and Synthetic Media
01:03:30 Can AI Replace the Human Element?
01:05:00 Bad AI Content vs. Bad Human Content
01:07:00 Why YouTube Raises the Production Bar
01:09:00 Why Human Curation Still Matters
01:11:00 Where New Media Goes Next
01:13:00 Closing Thoughts